Showing posts with label Atal Bihari Vajpayee. Show all posts
Showing posts with label Atal Bihari Vajpayee. Show all posts

Friday, August 28, 2009

Than Gayi! (ठन गई!)



This poem is written by ex-Prime Minister of India and an esteemed poet, Mr. Atal Bihari Vajpayee. During the period of Emergency (1975-77), he was put in to Bangalore Jail, where he fell extremely ill. He was then admitted to AIIMS, New Delhi where he wrote this poem.


ठन गई! मौत से ठन गई!

जूझने का मेरा इरादा न था,
मोड़ पर मिलेंगे इसका वादा न था,
रास्ता रोक कर वह खड़ी हो गई,
यों लगा ज़िन्दगी से बड़ी हो गई।

मौत की उम्र क्या है?
दो पल भी नहीं,
ज़िन्दगी है सिलसिला,
आज कल की नहीं।

मैं जी भर जिया,
मैं मन से मरूँ,
लौटकर आऊँगा,
कूच से क्यों डरूँ?

तू दबे पाँव,
चोरी-छिपे से न आ,
सामने वार कर,
फिर मुझे आज़मा।

मौत से बेख़बर,
ज़िन्दगी का सफ़र,
शाम हर सुरमई,
रात बंसी का स्वर।

बात ऐसी नहीं कि कोई ग़म ही नहीं,
दर्द अपने-पराए कुछ कम भी नहीं।
प्यार इतना परायों से मुझको मिला,
न अपनों से बाक़ी हैं कोई गिला।

हर चुनौती से दो हाथ मैंने किये,
आंधियों में जलाए हैं बुझते दिए।
आज झकझोरता तेज़ तूफ़ान है,
नाव भँवरों की बाँहों में मेहमान है।
पार पाने का क़ायम मगर हौसला,
देख तेवर तूफ़ाँ का, त्योरी तन गई।

ठन गई! मौत से ठन गई!


-अटल बिहारी वाजपेयी

Tuesday, December 9, 2008

Review - Samvedna (By Atal Bihari Vajpayee & Jagjit Singh)


If I admire any one in Indian Politics, then that person is Shri. Atal Bihari Vajpayee ji. He is the true Bheeshma Pitahmah of Indian Politics. And it is not just his political skills but the poetic skills as well which mesmerize me. And just imagine if you get to hear these poems in the divine voice of the Ghazal King Jagjit Singh, then it makes a perfect combination. This album "सम्वेदना" is the true example of two maestros of their fields blending together and producing a master piece. Although this album was released in 2002 but I got to hear it just now.

The speciality of the album and which makes it outstanding is the narration by Vajpayee ji. He narrates the incidents and reasons behind the creation of each poem. The period during the Emergency which was imposed on us in 1975 and later inspired quite a few poems and the former Prime Minister elucidates the reasons well before quoting a few introductory lines. The lines are simple and easy to understand. There is a sensitivity to each song and most of them are are thought provoking. And Jagjit Singh has tuned them melodiously bearing in mind the mood of each poem. Since most of them are stirred by real life incidents there is an element of melancholy and poignancy about them and Jagjit Singh's strains bring this alive. He, as usual, mesmerizes with his voice.

The first poem is "क्या खोया क्या पाया". The song contains a preface for the album by the legend himself Mr. Amitabh Bachchan. The poem has a philosophical angle which highlights what one loses and gains in his life. And at the last when the death arrives, one opens the doors for it to come himself. क्या खोया क्या पाया जग मे, मिलते और बिछडते मग मे, मुझे किसी से नही शिकायत, यद्यपि छला गया पग पग ।

The second poem is "एक बरस बीत गया". This poem was written after an year of Emergency, when all leaders including Atal ji were jailed and all rights and independence of the people was curbed by the Indira Government. The poem describes the hardships and life led by the people at that tough time. झुलसाता जेठ मास, शरद चान्दनी उदास, सिसकी भरते सावन का अन्तर्घट रीत गया, एक बरस बीत गया ।

The next one is "चौराहे पर". This one is my favourite. The prelude is too loaded with meaning. जो कल थे वे आज नही है, जो आज है वो कल नही होगे, होने ना होने का क्रम इसी तरह चलता रहेगा, हम है, हम रहेगे, ये भ्रम भी सदा पलता रहेगा, सत्य क्या है? होना या ना होना, या दोनो ही सत्य है, जो है उसका होना सत्य है, जो नही है उसका ना होना सत्य है, मुझे लगता है कि होना ना होना एक ही सत्य के दो आयाम है, शेष सब समझ का फ़ेर, बुद्धि के व्यायाम है ।

The next poem is "जीवन बीत चला". This poem was written by him on one of his birthday. He confesses that due to lack of time, he didnot write much, but when his birthday comes, he do write on his past experiences. The opening lines of "Jeevan Beet Chala" reflects the years gone by. जीवन की ढलने लगी सान्झ, उम्र घट गयी, डगर कट गयी, जीवन की ढलने लगी सान्झ, बदले है अर्थ, शब्द हुए व्यर्थ, शान्ति बिना खुशिया है बान्झ, जीवन की ढलने लगी सान्झ ।

"दूर कही कोई रोता है" was inspired by the crying sounds of people heard by Vajpayee ji when he was admitted to AIIMS, New Delhi. This happened during Emergency when he fell ill in the Bangalore jail. In the opening lines he narrates that every morning, he woke up by the crying sounds of the relatives of the patients who died at the night. That was the time when thier dead bodies were handed over by the hospital authorities to their beloved ones. This scenario tore his heart apart and he expressed his pain by writing this poem.

After Emergency, all the parties except Congress united together to form Janta Party under the leadership of Jayprakash Narayan to contest the election and vowed to work together at Raj Ghat, a memorial to Mahatma Gandhi, which marks the place of his cremation. But later, Janta Party broke up and the leaders couldnot keep their vows. This last poem "कदम मिला कर चलना होगा" brings out his sorrow at the breaking of the promise. क्षमा करो बापू तुम हमको, वचन भन्ग के हम अपराधी, राज घाट को किया अपावन, मन्ज़िल भूले, यात्रा आधी, जयप्रकाश जी रखो भरोसा, टूटे सपनो को जोडगे, चिता भस्म की चिन्गारी से, अन्धकार के गढ तोडगे ।

The album has to be heard in leisure, for each song to be enjoyed slowly. Every song has a deep meaning and overall it is a masterpiece. In the words of Vaibhav Sir... 5 on 5.

Tuesday, July 22, 2008

BJP’s one-vote defeat in 1999 was narrowest in history


The Vajpayee government lost the day on April 17, 1999, only to dramatically return to power a few months later. But that is another story.


The tense morning began with BSP promising then PM Atal Bihari Vajpayee that its MPs would support the government. It was around 10.45 am. A short while later, MPs began to file into the House and assuming their seats.


The tension and the buzz were palpable. There was an electric undercurrent as government managers anxiously trawled the aisles, eyes darting from one side to another. The House was soon called to order and the debate began to wind up. It was time for BSP leader Mayawati to speak. She rose and without much ado said that she would be opposing the government. A babble broke out at BSP MPs Arif Khan and Akbar Ahmed applauded and the numbers began to go against the government.


The final honours were done by Saifuddin Soz who defied his party, the National Conference, to vote against the government and Orissa chief minister Giridhar Gamang also pressing the no button. Despite having been CM for a couple of months, Gamang was yet to resign from the Lok Sabha and used his dubious privilege to vote against the Vajpayee government. Gamang has been somewhat shy to take credit for his act but Soz has shown no such inhibition. Soz thereafter saw himself as a cause celebre in having brought down a “communal” government.


There were other significant aspects to the dramatic vote. The government’s chief trouble shooter Pramod Mahajan had tired hard to chase down every vote on offer, but the nature of the highly polarised House made it difficult to scrape the numbers. PWP’s Ramsheth Thakur defied all the persuasion by government managers. It was down to the wire on the morning and Mahajan lost a couple of crucial turns of the dice.


The mood in the Prime Minister’s Office in Parliament in the aftermath of the defeat was predictably glum. A close aide of then home minister L K Advani came in to ask for a couple of telephone numbers. Some BJP supporters tried to collar Mahajan and accuse him of letting down the party. To others, the ill-omened government, always at the mercy of the mercurial AIADMK chief J Jayalalitha had met a predictable end. When the one vote difference did show up on the Lok Sabha’s screens that afternoon, the House was briefly stunned into silence before the Opposition’s whoops of delight broke out.


In the PM’s seat, Vajpayee took one look at the results and raised his hand to his forehead in a mock salute. There was no denying the digital numbers flashing overhead. But his effort to stay stoic gave away when late Vijayaraje Scindhia, mother of Rajasthan chief minister Vasundhara Raje, broke down in the PM’s office in the Parliament building. Even as Vajpayee comforted her, he had trouble staying calm himself.